STAGE HYPNOSIS
Throughout history there have been those who have given
public demonstrations and exhibitions of hypnotic phenomena, often giving
private consultations after their shows. By the early 1850s performances were
common across America, Canada, Europe and Britain. Unfortunately the art,
although very popular, was slowly reduced to a mockery by sometimes fake
hypnotists who used stooges and crude routines. In the UK the 1952 Hypnotism Act
was brought in to protect the public from dangerous and pornographic hypnotists.
Early in this century genuine stage hypnosis was
revived with the success of an American hypnotist, Ormond McGill. He was a
pioneer in presenting hypnotism on television and is known world-wide as the
Dean of American Hypnotists. His book, The Encyclopedia of Genuine Stage
Hypnotism written in 1947 became know as `The Bible' of stage hypnotists. In
1970 a second book was written called The Art of Stage Hypnotism. Now a third
and definitive book is available, The New Encyclopedia of Stage Hypnotism.
Ormond, now in his eighties, was in Britain in April
1997 to present a training seminar, an unforgettable event for all those
interested in the development of hypnosis. In addition to his international
stage reputation, he has written many excellent books on aspects of hypnosis,
magic, meditation, mysticism, etc. He is also a certified clinical hypnotherapist
and a gifted trainer.
A stage hypnotist performs his act on a mass of people
and is the most highly skilled of all hypnotists. The phenomena is genuine and
can serve to create a real interest in the subject of hypnotism. The secret lies
in selecting only those who are highly suggestible, can go quickly and deeply
into the deeper stages of hypnosis, and are likely to prove entertaining.
Unfortunately a stage hypnotist with no therapy
background will not know whether the subject has any serious emotional or
medical problems which might make them unsuitable for some of the tasks they
might be asked to perform.
Ultimately the greatest safety for the public lies in
ensuring that the stage hypnotist is also a qualified and practicing hypnotherapist who will be aware of potential problems and can handle any
unexpected reactions which may occur.